Thursday, June 30, 2011

Blood-C PV



Saya is a sword-wielding miko mega-ne? I'm still trying to wrap my head around it. Anyhoo, I was totally misled by the promo poster for this. I really thought the setting was going to be Victorian because of the frills and lace dress that Saya was wearing. That somehow kind of diminishes my interest in this. However, since this is Production I.G., and they make such pretty anime, I'm willing to check this out.

Tuesday, June 28, 2011

Wednesday, June 22, 2011

Kayano Ai, Tomatsu Haruka, Hayami Saori - Secret Base (AnoHana ED Single)

RELEASED: 04.27.2011

LABEL: Aniplex

TRACKLIST:
1. secret base - kimi ga kureta mono (10 years after ver.)
2. secret base - kimi ga kureta mono (memento mori ver.)
3. secret base - kimi ga kureta mono (10 years after ver.) (off-vocal)
4. secret base - kimi ga kureta mono (memento mori ver.) (off-vocal)

MF (pw: animeshoon)

BUY @ Amazon | Play-Asia (Limited Edition) (Normal Edition) | Yesasia (Normal Edition) (Limited Edition)

Sunday, June 19, 2011

Monday, June 13, 2011

Sunday, June 12, 2011

REVIEW: Colorful

I heard about this anime through Tha Baka Blog and decided to check it out. Five weeks later, I finally got around to watching it. Below is my two cents on this wonderful little film.

Colorful is the story of a soul who is given a second chance at life by inhabiting the body of Kobayashi Makoto, a middle-schooler who committed suicide. With the help of his guide, PuraPura, the soul must try to remember the great sin he did in his past life as well as figure out why Makoto committed suicide.

At first, the soul remains detached from his new life and is actually grateful that Makoto's family is not related to him but as time goes, he gradually begins to understand the importance of connection, even the smallest, seemingly inconsequential ones, and to appreciate the gift of life.

The award-winning animation film of 2010 from Sunrise, directed by Hara Keiichi, based on the book by Mori Eto, Colorful is essentially a story about second chances and the beauty of life. The movie is about two hours long, which is very long indeed, but the whole time I was watching it, I was transported and wasn't even aware of the passage of time. That's a testament to how absorbing this anime is.

Right from the start, Colorful draws you in with the image of a train station populated by humanoid, gray...blobs -- souls of people who died. For a moment there I was even reminded of the first and final scenes of Grave of the Fireflies, except that in Colorful we are looking at the afterlife and not at life slowly coming to an end.

In stark contrast to his colorless surroundings, PuraPura, a neutral guide spirit  -- who looks more like your school-age bratty baby brother (and sometimes acts and talks like one) than the wise, old sage that we've all come to expect from someone of his occupation -- stands on the platform as though waiting for someone. We hear a train arrive. In a moment, the screen turns black and we read, rather than hear, the first few words out of the mouth of our protagonist.

This style of presentation continues for the entire duration of the conversation between the boy, PuraPura, and the protagonist soul, and it is here that the premise of the whole story is laid out. (Incidentally, trains are used all over the film as a symbolism. In Colorful, they are not just modes of transportation but as the tangible object that connects people together).

There is nothing really new about the story of Colorful. Even the way it is approached is not entirely revolutionary. But time and time again, I've found that you don't need an entirely new idea to make something great. Because great is what this film is. It's a very simple story, when you think about it, but the way it has been executed, it manages to transcend the boundaries of its own material. This is a true gem, a drama that takes on the dour and usually taboo topic of suicide, that seeks to understand, rather than glorify or preach against, those who have fallen victim to it.

I especially love the last dialogue between the main character and one of his classmates. More specifically, when he says that every person is comprised of different colors. Pure colors, dirty colors, they're all the same, they all make up a beautiful picture.

On the art side, Colorful certainly deserves its title. The anime is beautifully drawn and animated. The film also makes use of still black-and-white photos of old trains and railways. While I understand the symbolic function of these, I can't help but feel that the director or someone from the production team must have loved, or at least felt very nostalgic for, trains. As result, not only are we treated to beautifully rendered blast-from-the-past panels but we also get to learn a little bit of Japan's history through its old railways.

I love the character designs -- almost Ghibli-esque but not quite. Shoko totally reminded me of the character played by Miyazaki Aoi in Tada, Kimi wo Aishiteru, so imagine my surprise when I learned that the character is actually voiced by said actress. :) Speaking of voice acting, Colorful features a top-notch voice cast who not only portray well their characters but lend a certain depth to them.

If I have to complain, I guess I can gripe about the BGM a little. While I didn't mind the ending theme (I barely listened to it, TBH), some of the tracks used in the BGM for Colorful were a little distracting.

In conclusion, Colorful is a wonderful little film that has a simple premise but with a heavy theme. A story that seeks to understand rather than look down in judgment upon those who seemed to have given up on life. A beautiful look at what it means to live a happy and grateful life.
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Tuesday, June 7, 2011

2010 Anime Report: The Best List

So I realize that I haven't really made my year-ender report for 2010 as per this blog's tradition in the past two years. I suppose I got busy. I'm also about to get busy but I still have at least one week before work will get the better of me. Therefore, allow me to milk these precious free moments to give you my humble list of best and not-so-best titles of anime for the year 2010. (BTW, for categories, I'm taking my cue from jute's previous year-ender posts.)

Most Highly Anticipated Series

I have to admit that this was a tough choice. What did I most look forward to? These two series came out in two different seasons and perhaps because of the gap in time, it's a little hard to compare the anticipation I felt for each one. So I'm afraid that my decision has largely something to do with the overall feeling of satisfaction I got from the series, and not necessarily with how I felt before I watched the first episode.


Best First Episode

For the most part, this was a no-brainer. Occult Academy did have a strong opening, which makes all the more ironic the extent to which it downgraded and eventually fell flat on its face. In hindsight, the series could have done better if it didn't have such a good first episode because then, expectations would not have been set high and I would have come off it a lot less disappointed.

Best Finale

Another no-brainer. What a revelation Katanagatari turned out to be. This is anime done right, and if I knew a word of Japanese, I'd go read the light novels right away. NisiOisin, you the man!

Best Randomly Picked Series

Hands-down. And just imagine that I never even paid attention to this series the first time I heard about it. I thought the art style was a little child illustration book material and it is, for the most part, but strangely enough, it works for this series. And the best thing about it is the story. Fantastic.

Favorite Title

Do I have to spell it out? And to think that I almost dropped this series, not because of anything lacking in the material itself, but because of its airing schedule. White Fox made it difficult with a once-a-month release, but in the end it was worth it.

Favorite Female Character
Busujima Saeko [High School of the Dead]
(Nino, Yasuri Nanami, Tsurugi Meisai, Kazumiya Rio)

Busujima-senpai  ~ Nuff said. Although Nanami and Meisai made the choice a little tough.

Favorite Male Character
Yasuri Shichika [Katanagatari]
(Watashi, Shizuo, Yaichi, Ichinomiya Kou)

I liked Yaichi mainly because of his sexy voice. Kou, despite the insanity surrounding him, developed nicely. Watashi is love but talks too fast. Shichika, on the other hand, had the luxury of a one-hour-long-episode-a-month-for-twelve-months time to develop from a complete toolbox to a human being. Watching it was superb.

Funniest Character
(Togame, Kuwashiro Maya, Hoshi, Maria, Sister)

No doubt about it. Arakawa Under the Bridge has the best cast that if the categories included one for best cast, it would surely win. As it is, if I were to chose between Hoshi and all the other eccentric characters from the series, I'd chose the former. Why? Watch the show.

Favorite Villain
Yasuri Nanami [Katanagatari]
(Yasuri Nanami, Tsurugi Meisai, Ozu, Izaya, zombies)

I loved Meisai. I thought she had an excellent story. But in terms of bad-assness, Nanami pwns them all.

Favorite Couple
Yasuri Shichika x Togame [Katanagatari]
(Yasuri Shichika x Togame, Watashi x Akashi, Susukihotaru x Riken, Ichinomiya Kou x Nino, Kurashita Tsukimi x Koibuchi Shu)

I couldn't take them seriously at first. Togame was obviously using Shichika for her own gain and Shichika was too quick to declare himself in love with Togame right after she asks him to that it was just too incredible. But as time went, the love story became real, made more poignant by its bittersweet ending. Who can't love this couple after all that?

Favorite Crack Couple
Maria x Sister [Arakawa Under the Bridge]
(Kuwashiro Maya x Uchida Fumiaki, Yaichi x Otake, Kazumiya Rio x Filicia Hiediman, Busujima Saeko x Komuro Takashi)

Talk about S & M. But the love story between Maria and Sister is pretty one-sided, and the violence that occurs whenever the two are together in one scene makes it doubly hilarious. Ah, love.

Favorite Slash Couple
Izaya Orihara x Shizuo [Durarara!!]
(Yaichi x Akitsu Masanosuke, Kazumiya Rio x Filicia Hiediman, Togame x Hitei-hime)

Simon pretty much confirmed it in the last episode, calling Izaya's constant picking on Shizuo as his "Shizuo complex." Besides, what's love without a little man-handling? (and vending machine throwing?)

Best Horror Series

The series started out very slow, so slow in fact that I could barely get through it. Add to that the very distracting character design and hair-do. But don't let appearances fool you because this series is creepy. No, I don't mean you're going to spend the entire time screaming pantsless at your monitor. The scary is more psychological here for the monsters aren't the only monsters in Shiki.

Best Comedy Series

When I came up to this point, I thought to myself: "Hm, which is funnier? A cross-dressing nun with an unhealthy regard for guns or a boob wall? But Arakawa Under the Bridge has the advantage of having an insane number of cast who, well, insane, so it wins by sheer number.

Best Drama Series

I think Shiki should win this category. But I have not yet finished watching the entire series so I can't really say. House of Five Leaves, however, turned out very well.

Best Action Series
(Durarara!!, Katanagatari, Star Driver Radiant Takuto, Heroman)

If there was a category for best fan service, the series would win it, too. Busujima-senpai  ~

Best Romance Series

I don't know if you can correctly classify this series as a romance. There certainly are some romantic elements in it. At the very least, there are unrequited crushes. But the show doesn't resolve any of the possible romantic entanglements so...eh. On the other hand, the runners-up aren't really about the romance either so there. Kuragehime wins this category because I actually was aware of the romantic tensions at first blush and primarily watched this show for that.

Best Production Value

Madhouse. Need I say more? With this title, they've saved themselves this year. Now, if only I could say the same thing for 2011. But perhaps, I'm saying too much too soon. After all, we have two whole anime seasons still coming up.

Best Opening Theme
"Maigoinu to Ame no Beat" by Asian Kung-Fu Generation (The Tatami Galaxy)

Best Ending Theme
"Kimi no Kirei ni Kizuite Okure" by Sambomaster (Kuragehime)

Best BGM

Kaijura Yuuki, baby. Also, Kalafina. (Keiko-san ~)

Best Voice Cast

I really, really liked Yaichi's voice. But I'm judging this based on the entire voice cast and Katanagatari has the best, IMHO. The Tatami Galaxy also came close because...Sakamoto Maaya (who is also in Arakawa Under the Bridge). 

Best Style

SHAFT / Shinbo did something amazing with Arakawa Under the Bridge. But stylistically, The Tatami Galaxy was pure insanity. Add to that the really messed up presentation and we have ourselves a winner.

Best Animation

Because I don't know. The whole series was just cute.

Best Background Art

Not much of a choice really. I thought High School of the Dead would win this one for sure but on second look, SHAFT did a pretty good job with the river scenery.

Best Character Designs

The designs fit the characters. Watashi looked generic enough as to be anonymous. Ozu certainly looks devious. And Akashi is seriously cute and fits the bill for the girl-next-door type only with more grrr.

Best Storytelling

NisiOisin. Nuff said.

Best Concept

Everything about it, even its title, screams: GENIUS. And the whole rewind bit confused the shit out of me at first but in the end, all I could say was BRILLIANT. And a main character named "Watashi?" Absolutely inspired!

Anime Series of the Year

As much as I loved The Tatami Galaxy (for its eclectic style) and thoroughly enjoyed Kuragehime, Katanagatari offers a more complete package. Style, it has it in spades. Cuteness, why, yes. See Togame and Nanami and Pengu. Story? Absolutely.

Hana-saku Iroha 8-10: The pressure is...where?

lolz, this guy wouldn't pass Hell's Kitchen....or Master Chef for that matter

I'm not enjoying this show as much as I'd like to. It's a bit sad because after a really wonderful first episode and an interesting second and third episode, Hana-saku Iroha has really downgraded. I don't mean the visuals have changed. No, there's no obvious lowering of production values in the series. Everything is still as pretty as it can be...but the story lacks punch. Do you know what I mean?
That look spells trouble

I know, I know. I said this show is refreshing. And fluff can be good, too, but only in small doses. Otherwise, you'll be left with nothing but air, and you know what too much air does to the human digestive tract. I'm hoping against hope that Hana-saku Iroha is going to prove different -- that this show isn't just hot air without nothing inside, because that would be...sad.
this is sooooo wrong

What is wrong with asking for a little conflict? A little clashing of personalities? A little tension and pressure? The irony is that these last three episodes are supposed to be all about the former and the latter and yet I remain disconnected from it all. Don't get me wrong. I like Ohana and the other staff members of the Kissuiso but other than superficial liking, there's nothing. It needs something more.

The previews for the next episode shows the return of Ohana's mom, so hopefully, I'll get what I finally want from this series? Crossing my fingers.

Monday, June 6, 2011

Claymore 115: HAY THAR

Read @ Manga Reader


Not much happens this chapter, apart from seeing Raki in action. Miria of the bad-ass x-shaped scar is acting a little OOC, what with her unable to determine for herself that the abyssal eaters are becoming harder to kill as the fight goes on and has to have No. 3 tell it to her. The fuck, Miria, what? Go back to being awesome, quick. Also, towards the end, we get to see the former number ones that Dae revived. Here's big hint: It's not Teresa T_T

Saturday, June 4, 2011

AnoHana 6-8: How to get over someone

paying their respects
 So AnoHana is pegged by ANN at 11 episodes. We're now on the 8th episode and our gang isn't even anywhere close to fulfilling Menma's wish. Ahhhh, but I'm so enjoying this show.
Yukiatsu lecturing about the high cost of fireworks
Now, my real problem is how to blog this series. Because each episode is so beautiful and nuanced, it feels like a crime to floss over all the details by bulk-blogging (that is, blogging two to three episodes at one time). The plot is going along steadily: our gang is still trying to fulfill Menma's wish by first figuring out what that wish is. They think it's the fireworks but we learn in episode 8 that that isn't it at all. Now, I could bore you to death about the extent Jinta and friends go through to make the said fireworks canon for Menma but I'd be barely scratching the surface of this beautiful series. The thing is, that isn't all that AnoHana is about. It's about characters, too, not just the gang, but also about all the others left behind.
Anaru's confession...ten years too late
In the end, don't we all owe something to our past? Don't our memories deserve more than a quick glance through a dusty photoalbum, a few scathing remarks about the stupidity of youth? We've done things. We've said things. And maybe they are stupid and laughable and entirely silly now, but they weren't then. No. Because then, they were moments in time. They were real. And maybe you really can't relive the past but you can honor it, even if it means being silly and acting out for a few seconds of every day. What is a few seconds? They make up your entire life.

Friday, June 3, 2011

2011 Summer Anime Line-Up

A few interesting titles.

click on image to enlarge

Appleseed XIII
Jinni's Animation Studios & Production I.G.
OFFICIAL | ANN | Wikipedia

I've seen only one of the movies and I remember it was about this cyborg and his girl partner. The movie featured lots of CGI, which I don't care for. I'm only putting this on the short list because of the names involved: Production I.G., Masamune Shirow, Sakamoto Maaya. We'll just have to see if it's any good.

Natsume Yuujinchou-San
Brain's Base
OFFICIAL | ANN

Jute watched the first and second seasons and seemed to enjoy them. I had no idea there was going to be a third season and if I watch it, I'll be a total newbie in the series. However, I have to follow blog tradition so here it is.

Usagi Drop
Production I.G.
OFFICIAL | ANN | Wikipedia

It's another one of those helpless tool of a guy who gets a wake-up call when he finds himself having to care of a little kid. Probably some mild lolicon undertones in this one. However, it gives me hope that it's in the noitaminA time-slot, although after two or three duds, it's beginning to occur to me that the legendary time-slot is finally showing some signs of slipping. The anime is based on a josei manga, btw.

No. 6
BONES
OFFICIAL (Kodansha)

Apparently, this is based on a children's book series set in a futuristic city called No. 6 and is about a boy, Shion, who is supposed to be an elite. Well, whatever. The poster looks attractive and it's by BONES so it's probably going to come on strong before the story scatters about like a headless chicken. Or it could be good. I enjoyed Xam'd, despite the headless chicken bit.

Blood-C
Production I.G.
OFFICIAL | ANN | Wikipedia

There are a bunch of vampire tropes in this line-up. There's Blade and that other vampire series. I thought if I had to pick one for this season, I'd rather go with this. The Blood franchise gets a face-lift. The designs are now by CLAMP, who are also writing the story, so it's probably going to be interesting. I don't know. Did I like CodeGeass? I know I liked Cardcaptor Sakura way back when. One thing I can say though is that I am liking the Victorian-goth frilly dresses that Saya is wearing in the promo poster.

Dantalian no Shoka
Gainax
OFFICIAL | ANN | Wikipedia

It reminds me a little of GOSICK (which I dropped by the way). I don't know if this is going to be better or worse. There are demons though and the male character is holding a gun in the promo poster, so maybe this is a lot celebral and more visceral? Not that GOSICK was very cerebral.


ADDENDUM: I liked none of the OVA, OAV, ONA and Specials this season. Well, except for Black Lagoon: Roberta's Blood Trail. As for the movies, only two titles leap off the page for me. Towa no Quon, which is a six-part theatrical movie release by BONES, and Studio Ghibli's Kokuriko-Zaka Kara





Wednesday, June 1, 2011

Mid-Season Round-Up: C is for what?

 C: The Money of Soul and Possibility of Control (4-6)


Uhhhhh.... I don't understand this show. I thought I was beginning to enjoy it because for a minute there, it seemed like it was going to delve into the psychology of the characters. Psychology with a financial twist!

But eh, I was gravely wrong. Besides, I'm never that into psychological whatchamacallits. That's jute's area, not mine. I like my anime simple but interesting, light-hearted yet story-heavy, action-packed but also dramatic, funny but with serious elements. In short, I don't like heavy doses of anything. It will kill me.

C didn't actually kill me though but if I were to continue exposing myself to all its financial mumbo-jumbo there's a very big possibility -- nay, there is certainty -- that I will just drop dead in front of my monitor.

I'm not saying the show is bad. I'm sure it has its audiences and I can't really fault the production or the execution of the idea for its story. It's just that C strikes me as a very stubbornly niche series and I just can't get on the wagon for it.

Sorry again, noitaminA. Like Hourou Musuko before it, I'm dropping this one, too.