Showing posts with label real drive. Show all posts
Showing posts with label real drive. Show all posts

Tuesday, January 6, 2009

2008 Year-Ender Anime "Best" List

So here I am with Part 2 of my 2008 year-ender report. This time, the list contains the "best" animes to come out in 2008. I use the year loosely, of course, as some of the titles -- Ghost Hound, in particular -- actually started airing in 2007.

Anyhoo, the title in bold is the winner and the other titles inside the parentheses are runner-ups.

Best Dark Series

Ghost Hound is comparable to classic dark series LIKE Serial Experiments Lain and Boogiepop Phantom. While the narrative of Ghost Hound is not as loopy or nonlinear as the other two, its theme of the spiritual/supernatural world disrupting reality echoes the general themes of the two titles I just mentioned. On top of that, Ghost Hound is sci-fi. Or at least, in some aspects, it's sci-fi because it deals with psychology and scientific concepts like electromagnetic fields of the earth and the human psyche but it's also a philosophical piece in its dealings with theology and the spiritual aspect of culture. In truth, however, Ghost Hound can be viewed as a simple coming-of-age story with a psychological twist.

Best Comedy Series

I did not expect much from Toradora. After all, I did stop blogging the series after two episodes. I thought the characters were stereotypical, the plot rehashed, and the theme predictable. But, after suddenly picking up the series one random day, I found I was right yet wrong in every way. Toradora is exactly what it says it is and then some. In an era where farce in anime is all but overused, this series is refreshing in its absolute disregard for trend. It's comedy but it's not farce. It's the sort of anime that can afford to be clever without necessarily making fun of its characters. Or it does poke fun at its characters but never reaches that point where the humor becomes scathing. It's just good old fun, the way light series of this kind have always been before the "farce" trend started cropping up.

Best Production Value

From the beginning, Real Drive has impressed me with its animation quality, the extensive use of background colors (the series uses some of the widest palettes I've ever seen in an anime), and the beautiful character designs. Sure, there is the obligatory recap episode but even that one made use of entirely new scenes. In terms of sounds, Real Drive also delivers. The soundtrack is not good as a standalone piece but used in the anime it has a life of its own. The series is never complete without the auditory experience. Don't get me wrong. Real Drive has its moments, and even now, I'm still not sure if I "get" the entire picture. But what it might lack in terms of plot cohesion, it more than makes up for its excellent production.

Best Opening Theme
"Poltergeist" by Mayumi Kojima (Ghost Hound)

No doubt Ghost Hound has one of the more unique anime openers to date. "Poltergeist" not only fits the "ghost" themes of the anime but also reflects the gray murky tone of the storyline. And jazz, baby! The series creator was right about jazz for this anime.

Best Ending Theme
"Diamond Crevasse" by Sheryl Nome starring May'n (Macross Frontier)

Macross Frontier has some of the best vocal pieces in the 2008 anime line-up. But, of course, it's Yoko Kanno. Unfortunately, I'm not so inclined towards space opera -- of which, much of Macross Frontier themes are made up of -- so the OST does not make it to my top soundtrack. Still, I say it again that Macross Frontier offers some of the best songs. Out of all these, the one that comes out at the top is "Diamond Crevasse." It's a beautiful song as it is but the way it was used in Episode 20 of the series did me in.

Best Voice Cast

The series features my all-time favorite seiyuu, Toyoguchi Megumi, and even though she's a side character my love for the cast was long cemented the minute I found out she plays Klan Klang. Macross Frontier should also be commended for discovering a budding new seiyuu and recording artist in the person of Nakajima Megumi. Here's to hoping she'll make it far in the business.

Best Soundtrack

Ryouko's Case Files is one of those animes that you just can't take seriously. Much like its main character, Ryouko, the series has virtually no substance but is sexy and titillating and if that isn't enough, it fans the flames further with mystery and fanservice. As for its soundtrack, it's sexy jazz music that's surprisingly good. So good in fact that it managed to steal the top spot from Macross Frontier.

Best Art/Animation

Surprise! A mecha anime. Actually, I don't have anything serious against mecha but if I can help it, I usually avoid them. Then this series came along and I was swept off my feet with its brilliance. Xam'd: Lost Memories isn't even mecha in the sense that the Xam'd creature is actually a fusion between two living organisms: a human and a "hiruko." So it's not a machine but rather two consciousness sharing a symbiotic connection. The concept is wow and the art and animation more than delivers the goods.

Best Background Art

Natsu no Sora cheats a little with its use of live photos, but the idea is so clever that I can't help but admire it for sheer ingenuity of the creators alone. The wonderfully detailed background is emphasized even more by the focus on landscapes and buildings and the deliberately over-simplified character designs.

Best Concept

I honestly loved the idea of Library War. I like its revolutionary use of the war theme and giving it such an insane twist that you're torn between laughing your ass off or taking the dystopic theme with a grim face. But most of all, I like the "what-if" question it dangles in front of its viewers.

Best Overall Series

Because Ghost Hound is the only "finished" 2008 anime that lived up to my expectations, it makes it to my top "Best Overall." Not that Eve no Jikan or Xam'd: Lost Memories didn't come close. But the latter two are ONAs so they are on a wholly different level. Come 2009, it's going to be a close fight between Eve and Xam'd. I wonder which one will most deliver.

And that, my friends, spells the end of my year-ender spree. Coming up are first impressions of the Winter 2009 shows.

2008 Year-Ender Anime Rankings

I forgot to mention that on the 7th of December, Animeshoon officially turned a year older! (cue: fireworks ~) But I'm not a sentimental person and stuff like a blog's birthday usually flies over my head, so that (aside from occasional bouts of amnesia) explains the silence. Still, to celebrate my coming back to life after the Christmas and New Year hiatus, I've decided to compile a year-ender report for 2008. Mind you, I'm not good at this so please excuse the suckage.

Before I begin though, I would like to say outright that my blogging list does not necessarily reflect my watchlist. Weird, huh? But that's me. That said, on to the list ~ ♥

Top 5 Highly Anticipated Series
  1. Blade of the Immortal - I thoroughly enjoyed the manga series so I thought the anime might prove to be a great experience as well
  2. Ghost Hound - the darkly psychological themes interested me but it was the art that got me first
  3. Spice and Wolf - I was intrigued by the concept of fantasyslashtrade&economics
  4. Kurozuka - I thought it was a love epic with vampires in it and the time-leaps piqued my interest
  5. Shikabane-Hime - Aka - the promo said that the main character is an undead and I have a thing for the undead -- zombies specifically
Top 5 Series with the Best First Episode
  1. Ga-Rei - Zero - because nothing beats killing all your characters in the first episode
  2. Xam'd: Lost Memories - the series' best assets -- great OP and ED themes, excellent pacing, interesting cast of characters, and a simply brilliant storyline -- can be readily seen from the first episode
  3. Ghost Hound - the focus on sound distortion and the dark, mangly themes gave me goosebumps; production value was tops as well
  4. Blade of the Immortal - the series's first episode does a good job juggling character revelation and an ass-kicking, bloody fight scene
  5. Kure-nai - the first episode implies a lot of heavy stuff and yet has just enough quirkiness to keep you coming back for more
Top 5 Series with the Best Finale
  1. Ghost Hound - I seriously did not want the series to end
  2. Kure-nai - yes, it was corny and ridiculous, but people got beat up and wise words were spoken, and overall it gave a satisfying feeling
  3. Real Drive - after muddling a lot of the episodes, the neat and tidy ending is refreshing
  4. Mnemosyne: Mnemosyne no Musumetachi - ohmygod, there was SECKS and then more SECKS and then lots of people die, it was just WOW
  5. World Destruction - a spectacular ending to a rather bland show; it surprised me
Top 5 Random-picked Series that Turned Out Great
  1. Natsume Yuujin-chou - something about the slice-of-life approach to a gentle storyline riddled with fantasy reminds me of Mushi-shi
  2. Xam'd: Lost Memories - a mecha series that I actually enjoy because it's mecha
  3. Mahou Tsukai ni Taisetsu na Koto ~ Natsu no Sora - another slice-of-life series that surprised me with its subtle depth
  4. Eve no Jikan - the two-month wait is so worth 15 minutes of pure genius
  5. Kure-nai - I like it mainly for its quirkiness
Top 5 Favorite Titles
  1. Eve no Jikan - yes, only three episodes are out but every single one of them has been nothing short of excellent, leaving me with no doubt that the next trio are going to be just as spectacular
  2. Ghost Hound - a coming-of-age story that manages to delve deep into parapsychology, science and the supernatural at the same time
  3. Xam'd: Lost Memories - the excellent pacing gives plenty of room for character development and boy what development!
  4. Real Drive - a series that suffered from its slice-of-life approach but still managed to deliver in the end
  5. Kurozuka - it knows it has nothing going for it other than pure, unadulterated violence in a simple plot that is unabashedly too straightforward for a mystery
Top 3 Favorite Female Characters
  1. Yayoi (Kure-nai) - I like her mainly because she is the only serious (not to mention capable) character in a series that does not take itself, let alone its characters, seriously
  2. Otono-Tachibana Makie (Blade of the Immortal) - Hyakurin will likely steal her place but until the series actually gets to that point in the manga, Makie remains on the top 3
  3. Isayama Yomi (Ga-Rei - Zero) - because she's badass

Top 3 Favorite Male Characters
  1. Manji (Blade of the Immortal) - he's tough, he's rude, he's freakin' immortal!
  2. Takehara Akiyuki (Xam'd: Lost Memories) - a main character that I don't find annoying, what are the chances?
  3. Kuro (Kurozuka) - strange how a one-dimensional, flat, stereotypical character managed to make it to this list but Kuro manages to be all that and still maintains a semblance of respectability (meaning: you can't laugh at the poor vampire boy - HE WILL CUT YOUR HEAD)
Top 3 Funniest Characters
  1. Michael Kohaku (Ga-Rei - Zero) - his crazy outfit did it
  2. Toppi (World Destruction) - who didn't like the bear?
  3. Makoto / Mako-chan (Minami-ke Okawari) - cross-dressing boys is one thing, a cross-dressing boy who actually secretly likes to cross-dress is another
Top 3 Favorite Villains
  1. Otono-Tachibana Makie (Blade of the Immortal) - the reluctant murderer, the hesitant prostitute, the very thing that makes her feel conflicted is what makes her character fascinating; Anotsu Kagehisa, however, is a close runner-up if the fan-subs were any faster
  2. Isayama Yomi (Ga-Rei - Zero) - because she's badass
  3. Furuichi (Xam'd: Lost Memories) - nothing like a psychotic villain to make my day; and his Xam'd form is fugly as hell
Top 3 Favorite Couples
  1. Sora and Gouta (Mahou Tsukai ni Taisetsu na Koto ~ Natsu no Sora) - heart-warming, then heart-wrenching, then heart-warming
  2. Aoi Souta and Holon (Real Drive) - seeing the two of them together makes me feel all giddy inside; I especially like that their little romance isn't shoved in front of your face but remains on the side the whole time
  3. Takehara Ryuzo and Takehara Fusa (Xam'd: Lost Memories) - sure, Akiyuki and Haru are sweet but Ryuzo and Fusa are married, for god's sake! and they still manage to light up the sparks with their love-hate interactions
Favorite Crack Couple
Benikawa Ishuu and Tsunomata Raigyo (Xam'd: Lost Memories) - if only because they are both HAWT

(NOTE: Ryouko and Izumida (Ryouko's Case Files) shared lots of sexy passive-aggressive moments on-screen but surprisingly they're not as smoldering hot as Ishuu and Raigyo and the bath conversation)

Favorite Slash Couple
Asogi Rin and Laura (Mnemosyne: Mnemosyne no Musumetachi) - let's get one thing straight: they're not a couple, but wouldn't it be fun though? with Laura constantly trying to BLOW UP Rin and Rin constantly trying to kill the living daylights out of Laura, such romance will never be boring

(NOTE: Mikhail and Alto (Macross Frontier) almost made it to the top but I can't say the two shared a moment together on screen quite like Rin and Laura did)

Part 2, with my list of "best" 2008 animes is up next....

Wednesday, November 19, 2008

Final Thoughts: Real Drive 25-26

Real Drive, for all its randomness, is deceptively slice of life. You'll find that even the random stuff make a whole lot of sense and contribute to the overall scheme.
EPISODE 25: Last Dive - 1^2 = -1
More Screencaps from Real Drive 25

Kushima has left one last card for those he left behind: a deep-sea diving suit specifically made for Haru, enabling him to dive into the ocean while broadcasting signal directly into the Metal. As Haru prepares for this quite possibly last dive of his, Minamo makes the first major adult decision in her life.
EPISODE 26: Real Drive - I
More Screencaps from Real Drive 26

The Earth Order. Jennie's meteorological nanomachine plants are completely destroyed as heat waves spread across the surrounding waters heading fast towards the Island itself. As Denriken Acting Director, Souta has a tough decision to make: will he close down the entire Metal in order to save the people on the Island? Meanwhile, Haru is still inside the Metal, looking for Kushima's answers.
FINAL THOUGHTS:

I started with this series having really high hopes and high expectations. You see, I just finished watching Ghost Hound and Seirei no Moribito at the time and was thoroughly impressed by how both series from the same studio came out excellent in almost every aspect. Most especially, I was impressed by Ghost Hound and by its creator, Masamune Shirow. So when I heard about Real Drive, I knew I was in before I even got an idea of its premise on the promo.

Then I saw the first episode and I was totally gobsmacked. Production I.G. certainly pulled out a lot of aces in production values to give me one of the best-looking first episodes of the season. Not only that, but the STORYLINE got me. Sure, it was confusing and half of the time it made me go "huh?" by the liberal sprinkling of scifi-geek words, but that's exactly what hooked me in the first place. What can I say? I love my nonsensical-in-a-good-way, subtly psychological, starkly philosophical, cerebral animes. And for a while, that's what I got from Real Drive.

Episodes 1-4 takes you on an episodic joyride through the Metal and the Artificial Island, the entire system of which is dependent on the Meta-Real, and the tour guide is none other Aoi Minamo, the token cute school girl in a mini-skirt for this series.

I suppose I should have considered myself warned the moment she appeared. (No, she is not an unlikeable character. I am -- I'm ashamed to admit -- NOT immune to cute school girls. Even if said cute school girl does have a rather healthy girth and err, thundger thighs.) Because Minamo took the focus from the sci-fi part of Real Drive and all its dark, twisty repurcussions and instead distracted us with fat girls running around and eating sinful desserts, a combat android who is ridiculously named Arnold Schwartz, freaking ghosts and nature trips to a jungle island.

Everything else that I wanted to see -- the budding romance between Souta and Holon, the political tug-of-war between the Secretary-General, Kushima and Jennie, the strange and mysterious stuff happening in the Metal and its effects on the Island, Haru's memories, indeed the entire plot -- happens in the background. So if you don't look hard enough or pay the slightest bit of attention, Real Drive can fool you into thinking it's nothing more than an account of the daily life of one silly but cute girl who doesn't have a cyberbrain and has to wear a funny-looking helmet to make up for it. That or utter randomness.

And speaking of random, Real Drive has this one in spades. To be very honest, I take issue in this manner of telling a story. Unless of course the series is light-hearted to begin with. Slice of life is more aptly suited to comedies. So to do this with a series like Real Drive that has real potential for depth (and real potential for muddling your brain) seemed kind of an odd take on the whole matter. A straightforward storytelling approach would have been less cumbersome. As it is, this series expects much from its viewers and make them work hard at taking what is offered in good light.

Not that I don't appreciate it. I did enjoy Ergo Proxy for precisely the same reason. But I said it before and I'll say it again. The problem with slice of life in a sci-fi mystery series is that it makes the show lose its focus somewhere in the middle. Real Drive starts off as really interesting. But as the randomness progresses, you begin to forget what the whole point was in the first place and start to wonder where the plot is going. It only really starts to pick up when there are only a few episodes left. I hate it when this happens to a good series, because that usually means cramming every last little tidbit of information necessary for a plausible ending in the last couple of episodes. I hate it because cramming only results in two things: plotholes and unanswered questions.

Fortunately for Real Drive, the slice-of-life approach helped. Not by much, but a little. And since I can have low standards, in this instance, a little is enough. Real Drive's real saving grace is its ability to connect some of the more major points in the end. You know what's said about writing a story. Each statement must do either of two things: develop character and advance the plot. Real Drive -- amazingly -- does both. Kushima's past as a violinist, for instance, turns out to be not merely fodder for his character to have some depth but later on becomes an important clue for Haru to understand him better and therefore make better progress in finding him. The problems that Haru encounters in his job as a cyberdiver actually hints at the bigger problem in the end. And all the little seemingly random things that happen every episode bear significance in the final moments of the series.

Production values are pretty consistent. You won't notice any obvious downgrade as the series progresses. Of course, no other episode can top the beauty of the first but the final episode comes very close.

Best of all, I like that the series really concludes itself. Open-ended and yet does not leave you wondering what's going to happen to the characters now. That's probably due to the fact that the series has spent considerable amount of time developing the main characters and revealing multiple facets of the side characters enough to make you understand them and know what drives them.

In my first impression of the series, I called Real Drive a "delightfully mind-bending, highly speculative, and wildly imaginative anime." I wasn't too far off-tangent.

Thursday, November 13, 2008

ReaL Drive 24: Scientific Equivalent of Bad Juju

Haru and friends race against time to stop Jennie from launching the meteorological nanomachines.
EPISODE 24: Earth Order - Inference
More Screencaps from Real Drive 24

Jennie is at the meteorological nanomachine plants, staring out at his life's achievement. Later that same day, he goes to cut the ribbon to jumpstart the 20th AI Anniversary. Then while the attending crowd celebrate, he deigns to grace Haru and his friends with his presence.

Haru, Souta, the Secretary-General, Minamo (voice-only mode) and even Kushima's AI all attempt to persuade Jennie from launching the meteorological nanomachines into the atmosphere. They even tell him about Kushima's theory. But Jennie, who is first and foremost a scientist, refuses to believe their theories unless they can present him with concrete proof. So until they can do that, he will go ahead with the original plan.

Faced with Jennie's unyielding conviction, the Secretary-General comes up with a last-resort plan: one of them would have to go the plant themselves to manually establish a metal gateway for Haru who will try to stop the launching by overriding the launch program from the Metal.

However, the plan is harder than it looks as Haru and other cyberdivers discover that Jennie has fortified the Metal around the site with multiple firewalls. Souta, who is at the plant's site, likewise faces trouble. Jennie has unexpectedly arrived and he has a military type prosthetic body.

While Souta gets the beating of his life, Minamo comes up with an idea to help Haru access the plant site. Her idea allows Haru to activate a program left by someone that helps them get as far into the plant's metal as possible. Unfortunately, the launching could not be stopped from the Metal alone. Thus, leaving Souta to perform the last step manually.

By this time, Souta's training with Holon pays off as he manages to overpower Jennie with sheer force of will. Afterwards, he runs limping to the uppermost level of the plant where the programs are. But he has only a few seconds left. And just when he almost finishes overriding the program codes, a wine bottle drops from above him, ruining the equipment without stopping the countdown.

From the foreground of the plant, Jennie watches as the meteorological nanomachines are finally launched into the atmosphere.
COMMENTS:

A very exciting episode. It will leave you at the edge of your seat. It's hard to believe that bubbles saved the day, but it did -- and then, it didn't since the nanomachines got launched anyway.

Souta's training with Holon paid off but not soon enough. Poor boy had his ass handed to him by a man twice his age.

Jennie is an awesome villain. He's got the brains and a mean body to boot. I mean, military type prosthetics! That was how he was able to overpower Kushima. But I can't believe Kushima did not even put up a fight. I mean, he just stood there when Jennie grabbed his face. But Jennie apparently looks up to Kushima as well.

Darn, every other guy in this series is gay.